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HBO’s The Last Of Us Becomes Biggest Winner Of The Creative Arts Emmy Awards 2024
By Alleef Ashaari|January 8, 2024|0 Comment
Last weekend, the Creative Arts Emmy Awards 2024 took place, which is not to be confused with the main ceremony; the 75th Primetime Emmy Awards 2024 which will take place on 15 January 2024. HBO’s The Last Of Us was the biggest winner of the night, with a whopping eight wins. Meanwhile, FX’s The Bear, Netflix’s Wednesday and HBO’s The White Lotus won four awards each.
The Last Of Us won categories including outstanding guest actress (Storm Reid), guest actor (Nick Offerman), picture editing, main title design, prosthetic makeup, sound editing, sound mixing, and visual effects.
Courtesy of HBO Asia, we were lucky enough to be the only Malaysian media to participate in interviews with Craig Mazin and Neil Druckmann, Pedro Pascal and Bella Ramsey, Merle Dandridge and Gabriel Luna. You can also check out our spoiler-free review of the entire season by heading over here.
Here is the list of winners from Creative Arts Emmy Awards 2024:
Outstanding Guest Actor in a Comedy Series – Sam Richardson as Edwin Akufo (Ted Lasso – ‘International Break’)
Outstanding Choreography for Scripted Programming – Jon Boogz, Choreographer (Blindspotting – ‘Routines: The History’ / ‘San Quentin Blues’)
Outstanding Casting for a Drama Series – The White Lotus
Outstanding Casting for a Limited or Anthology Series or Movie – BEEF
Outstanding Casting for a Comedy Series – The Bear
Outstanding Period Costumes for a Series – The Great (‘Choose Your Weapon’)
Outstanding Fantasy / Sci-Fi Costumes – House of the Dragon (‘The Heirs of the Dragon’)
Outstanding Contemporary Costumes for a Series – Wednesday (‘Wednesday’s Child Is Full of Woe’)
Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie – BEEF (‘The Birds Don’t Sing, They Screech In Pain’)
Outstanding Prosthetic Makeup – The Last of Us (‘Infected’)
Outstanding Contemporary Makeup (Non-Prosthetic) – Wednesday (‘Woe What A Night’)
Outstanding Period and/or Character Makeup (Non-Prosthetic) – The Marvelous Mrs. Maisel (‘Susan’)
Outstanding Guest Actress in a Comedy Series – Judith Light as Irene Smothers (Poker Face – ‘Time of the Monkey)
Outstanding Period and/or Character Hairstyling – Queen Charlotte: A Bridgerton Story (‘Crown Jewels’)
Outstanding Contemporary Hairstyling – The White Lotus (‘Abductions’)
Outstanding Stunt Coordination for a Drama Series, Limited, or Anthology Series or Movie – The Boys
Outstanding Stunt Coordination for a Comedy Series or Variety Program – Barry
Outstanding Stunt Performance – The Mandalorian (‘Chapter 24: The Return’)
Outstanding Production Design for a Narrative Program (Half-Hour) – Only Murders in the Building (‘Sparring Partners’)
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) – Wednesday (‘Wednesday’s Child Is Full of Woe’)
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) – Guillermo del Toro’s Cabinet of Curiosities
Outstanding Special Visual Effects in a Season or a Movie – The Last of Us
Outstanding Special Visual Effects in a Single Episode – Five Days at Memorial (‘Day Two’)
Outstanding Main Title Design – The Last of Us
Outstanding Motion Design – Ms. Marvel
Outstanding Sound Editing for a Limited or Anthology Series, Movie, or Special – Prey
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation – The Bear (‘Review’)
Outstanding Sound Editing for a Comedy or Drama Series (One Hour) – The Last of Us (‘When You’re Lost in the Darkness’)
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) – The Last of Us (‘When You’re Lost in the Darkness’)
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation – The Bear (‘Review’)
Outstanding Sound Mixing for a Limited or Anthology Series or Movie – Daisy Jones & The Six (‘Track 10: Rock ‘N’ Roll Suicide’)
Outstanding Music Composition for a Limited or Anthology Series, Movie, or Special (Original Dramatic Score) – Weird: The Al Yankovic Story
Outstanding Music Supervision – The White Lotus (‘Bull Elephants’)
Outstanding Original Music and Lyrics – Ted Lasso (‘So Long, Farewell / Song Title: A Beautiful Game’)
Outstanding Actor in a Short Form Comedy or Drama Series – I Think You Should Leave With Tim Robinson
Outstanding Music Composition for a Series (Original Dramatic Score) – Cristobal Tapia de Veer, Composer (The White Lotus – ‘In the Sandbox’)
Outstanding Original Main Title Theme Music – Wednesday (Danny Elfman, Composer)
Outstanding Actress in a Short Form Comedy or Drama Series – Jasmine Guy as Barbara Baldwin (Chronicles of Jessica Wu)
Outstanding Picture Editing for a Multi-Camera Comedy Series – Night Court – (‘Pilot’)
Outstanding Picture Editing for a Single-Camera Comedy Series – The Bear (‘System’)
Outstanding Picture Editing for a Limited or Anthology Series or Movie – BEEF (‘Figures of Light’)
Outstanding Picture Editing for a Drama Series – The Last of Us (‘Endure And Survive’)
Outstanding Cinematography for a Series (One Hour) – The Marvelous Mrs. Maisel (‘Four Minutes’)
Outstanding Cinematography for a Series (Half-Hour) – Atlanta (‘Andrew Wyeth. Alfred’s World’)
Outstanding Cinematography for a Limited or Anthology Series of Movie – Black Bird (‘Hand to Mouth’)
Outstanding Guest Actress in a Drama Series – Storm Reid as Riley Abel (The Last of Us – ‘Left Behind’)
Outstanding Guest Actor in a Drama Series – Nick Offerman as Bill (The Last of Us – ‘Long, Long Time’)
Outstanding Television Movie – Weird: The Al Yankovic Story
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